Getting injured sucks: especially when you’re a drummer. A broken finger, wrist strain, maybe some post-op recovery, you don’t realize how much you rely on both hands until one’s out of commission. The urge to sit behind the kit after the injury doesn’t just vanish, though. And the good news? You don’t have to stop.

Playing with one hand might feel frustrating at first, but it’s also a chance to dig deeper into your playing. It forces you to pay attention to stuff like feel, timing, and space: things that sometimes get lost when you’re just bashing around with full power. Recovery doesn’t have to be a full stop. It can actually be a reset.
Here’s how to keep growing, even when one hand’s out of action.
1. Flip the Script
It’s easy to think, “Well, that’s it, I can’t play” after an injury, but try asking instead: “What can I still do?”
When one hand’s down, you’re forced to get creative. You’ll start noticing details, little ghost notes, foot placement, and tone control. Playing within limits can push you in ways that full freedom doesn’t. It’s an opportunity to explore musicality from a different perspective.
2. One-Hand Groove Time
Yes, it’s possible to groove with just one hand, and not just possible, but rewarding. Start simple.
Try this:
Play eighth notes on the hi-hat and shape the sound with accents or dynamics.
Lock in a kick drum pattern underneath: maybe something like hits on 1 and 3 or 1 and the “and” of 4.
No snare? No problem. Focus on feel.
The goal isn’t flash, it’s flow. Can you make it feel good, even without backbeats?
3. Let Your Feet Do the Talking
Now’s the time to really work on foot coordination. You’d be surprised how much expression lives below the waist.
Some ideas:
Run through double kick drills or single pedal speed bursts.
Play around with hi-hat foot “chicks” and splashes.
Try samba-style ostinatos: right foot on quarters, left foot tapping upbeats.
You can even “solo” with your feet: bass and hi-hat only. It’s great for independence and groove depth.
4. Stick Control, No Stick Required
Can’t hold a stick? You’ve still got options.
Try:
Air-drumming through exercises to stay sharp mentally and physically.
Light tapping on your leg or a pillow to maintain touch and timing.
Wrapping a soft brush or mallet to a brace just to feel the motion: no force needed.
It’s all about staying connected. Even without contact, your brain’s still working through the rhythms.
5. Play Along with Tracks (Just One Hand + Feet)
Pick some groove-heavy songs and try playing along using just your good hand and feet. It can be super humbling, but also eye-opening.
Stick to the groove. Nail the pocket. That’s the real goal.
6. Creative Practice Pad Work
Got a pad? Great. Even with one hand, you can work on technique.
Exercises to explore:
- Slow, consistent single strokes
- One-handed paradiddle patterns (just your dominant hand’s part)
- Accent control involves moving accents around within a phrase
And hey, record yourself. What sounds tight in your head might need refining. Listening back helps.
7. Work on Feel and Timing
When you’re not focused on technique, you start listening differently. And that’s a good thing.
Things to try:
Tap along to jazz or funk with your hand or even your knee
Practice vocalizing rhythms: count out loud or try Konnakol-style vocal drumming
Develop phrasing using one surface: pad, table, or rim, just exploring what feels musical
8. Try Out Electronic Pads or MIDI Setups
If you’ve got an electronic kit or sample pad, you can get creative without stressing your injury.
Use your one hand to trigger different samples or loops. Layer sounds, build beats with your feet, and explore arranging from a new perspective. It’s a great way to shift from playing to producing, even if just for fun.
9. Reflect and Think Through Your Creative ProcessJournal
Not every part of drumming is physical. Use this downtime from an injury to reconnect with your creative side.
Jot down ideas for future grooves, solos, or lesson plans.
Transcribe rhythms from your favorite drummers.
Make playlists of tracks you want to cover once you’re back.
Sometimes, stepping back helps you return with a clearer vision.
10. Rest When Needed
And lastly, don’t push it. After an injury, If your body’s telling you to chill, listen to it.
There’s plenty of value in watching old live shows, reading about drum tuning or mic placement, or just soaking in some inspiration. It all adds up.
Common Questions
- Can I still get better while injured?
Absolutely. Groove, timing, foot control, musical thinking, it’s all fair game.
- Should I be practicing daily?
Only if it’s safe to do so, always follow your doctor or therapist’s advice. Some injuries need complete rest.
- Do any famous drummers work through injuries?
Yep. Rick Allen from Def Leppard famously rebuilt his entire approach after losing an arm. Others have used recovery time to sharpen different skills.
Final Thoughts
An injury might slow you down, but it doesn’t shut you out. In fact, playing with one hand can be a powerful lesson in restraint, feel, and adaptability.
It’s not about doing everything, it’s about doing something, and doing it with purpose.
Heal up. Stay inspired. Keep playing however you can.