When a band as historically influential as Guns N’ Roses changes its lineup, particularly its drummer, the move is rarely viewed as minor. Percussion, after all, forms the backbone of any live performance, its consistency and timing anchoring even the wildest solos and vocal theatrics. At the group’s recent show in Hollywood, all eyes were on Isaac Carpenter, the drummer stepping into the role for the first time. While the band’s catalogue needs no introduction, Carpenter’s interpretation of their sound offered something new, something quietly transformative.
Originally from Washington state, Isaac Carpenter has long maintained a reputation as a technically skilled and versatile drummer, with roots in alternative rock and an eclectic list of past collaborators. He cut his teeth in bands like Loudermilk and Gosling before expanding his repertoire with acts like Awolnation and Duff McKagan’s Loaded. That connection to McKagan, Guns N’ Roses’ longtime bassist, gave Carpenter a link to the band’s inner circle, but no amount of familiarity can prepare someone to sit behind the kit in one of rock’s most mythologized live acts.
Carpenter’s performance at the show wasn’t loud in personality, but it didn’t need to be. In fact, what stood out most was his restraint. During classics like “Welcome to the Jungle” and “Sweet Child o’ Mine,” he played with clean confidence, never rushing a tempo or overplaying a fill. It’s a common temptation for newcomers in high-profile roles to overcompensate, but Carpenter’s maturity showed in how he let the material speak for itself.
Notably, in songs such as “Civil War” and “Estranged,” which require subtle shifts in dynamics and tempo, his touch was measured. His transitions were smooth, maintaining the emotional weight of each song without dragging them down. The band seemed comfortable around him, Slash’s solos felt looser, Axl Rose’s phrasing was slightly more playful, and McKagan’s basslines locked in tightly with Carpenter’s groove. There was a sense of cohesion that some fans noted had been missing in recent years.
In terms of stage presence, Carpenter didn’t seek attention, but his posture behind the drum kit projected calm assurance. Every strike was purposeful. His cymbal work, particularly on the more intricate tracks, was nuanced, avoiding the splashy overuse that can often muddy a live mix. Instead, there was clarity and rhythm that made room for the rest of the band to stretch.
Some longtime fans had expressed concern about a change in lineup disrupting the band’s chemistry, but the show instead suggested something different: renewal. Isaac Carpenter’s style might not be as flamboyant as some of the drummers who came before him, but what he brings is steadiness, precision, and feel. And for a band known as much for its volatility as its brilliance, that might be exactly the shift they needed.
As the tour continues and Carpenter settles further into the role, it will be interesting to see whether his subtle changes shape the band’s future live sound. For now, one thing is certain: Guns N’ Roses has a new heartbeat, and it’s keeping time just fine.