As a beginning drummer, I stumbled onto Stanton Moore through his album Flyin' the Koop, and I think it had a bigger impact on me than I realized at the time. I was starting college and was most deeply into really sleek and technical ECM style jazz, 70s prog and all that, then here comes this naked, relentless energy that's barely even contained to a steady tempo, but it just feels so greasy and fun and right. I found myself getting pulled back into and exploring more of early New Orleans funk, Motown & Muscle Shoals, Gene Krupa, Ginger Baker, Ornette Coleman, the Stones; basically anything that was greasy with a relentlessly joyful energetic beat, the sort of thing where everyone nails the downbeats but who knows what's going on in between. I also really got into participating in Ghanaian dance-drumming about that time, and I think it's because I could feel that second line pulse in the polyrhythms.