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IMO, if your computer and your interface is still working really well, I'd research the heck out of outboard preamps. I know a lot can be done within a program, but I swear there's something about nice outboard pre's that make a really nice difference in recording. I don't know a lot about...
If it were me, I'd just take a green scotch brite pad and knock all the high points and flakes off, soak the hardware in evaporust overnight, clean it all up and get new heads and leave it as-is.
I can't really hear the playback, but that's the only critique I have for you.
I LOVE how your drums sound so freakin' bombastic! They are a lot of fun to listen to, and you are a great player, so keep it up. I also like how you are playing heavier music and yet you're staying in control and...
Your comment reminded that while I'm sticking to the "I've never really bonded with a Gretsch snare" sentiment, I'm pretty sure I wouldn't kick that Gretsch Renown Limited Mahogany out of the bed for eating crackers. Heck, I'd love to try out one of those kits for a few months.
I love Renowns.
For big stages, I use IEMs. For small gigs, I use no IEMs, and a lot of the times, I don't even have a wedge. I also use my Vic Firth AJ5 sticks. Here's a clip of a small gig I played last weekend. I will have to state that smaller drums and cymbals don't necessarily mean a quieter kit. My...
I tune my reso higher than the batter. I also use clear, single-ply heads on the reso and single-ply coated or double-ply coated or clears on the batters.
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