Smaller crash cymbals

I'm in the "I don't understand small cymbals" camp with Ian Paice. My smallest crashes are 18".

I had a couple 16" and a 15" crash cymbals when I first started playing though. I just prefer the body and spread of larger crashes.
 
storm double post
 
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storm triple post sry
 
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I had a 14" Sabian AA Extra thin. It would explode quick and got out of the way quick. Also had a 14" A Zildjian Thin, that was a little darker. Both recorded well.
 
I tend to use smaller crash cymbals. My two main crashes are both 16”. I also have an 18”. But my smaller cymbals are splashes, not crashes. I have an 8” and a 12” splash.
 
Been thinking about how most of us rarely go under 16" for crashes. Anyone here go less? I'm in the market for a 14" crash & wanted to pick some brains about how they sit in a mix and how youse all feel about them.
Anything smaller than 16" doesn't sound right. Few use 16" even these days with the low and dark trend these days. I have a few that I like for recording because they speak and get out of the way quickly
 
I'm a fan of small crashes for their smaller volume and quickness. I own a 14" Paiste Sound Formula Crystal Crash which I have used a lot. I also have a 14" Paiste Signature Fast Crash that I really like. I also own a 15" Zildjian K Dark Thin Crash which I love too. I have 16" and 18" crashes, but nothing larger than that. Oh! I know this thread isn't about splashes, but.... I have a 12" Paiste 602 Splash that is AWESOME!
 
Love my 14” Hollow logo A Thin . Never been without one and it fits in well with the 12” A splash , 16” A Med. Thin and 18”A Thin .
 

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Totally depends on musical context. They work well when (obviously) you want quick accents that aren't washy or dominant in the mix.
Chris Adler's kit in Lamb of God comes to mind. He has a 14 and 16 here.

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I had 14" and 15" cymbals, both A Custom Fast crashes. Yes, they were a very quick "in and out" in terms of sound, and this is the reason why I got them for church. However, one thing I didn't realize was that while they had a quick sustain, these cymbals were still bothersome, and they were just as loud as any other cymbal I had ever played. They did the job better, but they didn't do great.

At the time I loved them until I played a set of Heartbeats. I've talked ad nauseum about how a lower-pitched, bigger, thinner cymbal can be much more appealing to those around you, so I won't digress anymore.

So to @Cmdr. Ross, if you are looking for a short-sustain sort of "big splash" sound of a cymbal, then this will work. However, if you are looking for something lower volume, go with big, dark, and thin. Hope this helps!
 
I have had 14 and 15 inch crashes before, but I no longer do. The smallest I would now go is 16 inch. Peace and goodwill.
 
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